The music video for "Blackstar" is a surreal ten-minute short film directed by Johan Renck (the director of The Last Panthers, the show for which the song was composed). It depicts a woman with a tail, played by Elisa Lasowski, discovering a dead astronaut and taking his jewel-encrusted skull to an ancient, otherworldly town. The astronaut's bones float toward an eclipse, while a circle of women perform a ritual with the skull in the town's centre.The film was shot in September 2015 in a studio in Brooklyn. The filmmaking process was highly collaborative, with Bowie making many suggestions and sending Renck sketches of ideas he wanted incorporated. While both men agreed to leave the video open to interpretation (Renck refused to confirm or deny that the astronaut in the video was Major Tom), Renck has offered several details regarding its meaning. It was Bowie who requested that the woman have a tail, his only explanation being "it's kind of sexual". Renck has speculated that Bowie may have been contemplating his own mortality and relevance to history while developing the video, but said that the crucified scarecrows were not intended as a messianic symbol. Renck has also stated that Bowie portrays three distinct characters in the video: the introverted, tormented, blind "Button Eyes"; the "flamboyant trickster" in the song's middle section; and the "priest guy" holding the book embossed with the "★" symbol. Saxophonist Donny McCaslin said that Bowie had told him the song was about ISIS, but a spokesperson for Bowie denied that the song was about the Middle East situation.The choreography, notably that of the three dancers featured in an attic sequence, was drawn from other media, including Max Fleischer's Popeye the Sailor cartoons. "[Bowie] sent me this old Popeye clip on YouTube and said, 'Look at these guys.' When a character is not active, when they’re inactive in these cartoons, they’re sort of created by these two or three frames that are loops so it looks like they’re just standing there, wobbling. It’s typical in those days of animation and stop-motion, you would do that to create life in something that was inactive. So we wanted to see if we could do something like this in the form of dance, we had to do that." The female dancer in the attic sequence also performs a signature movement from the "Fashion" music video.The video won Best Art Direction at the 2016 MTV Video Music Awards.

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先说结论：《大雨》我打三分，画面五分，配乐四分，剧情两分。在现在国漫市场更看重D动画，且大多出现改编自神话故事的同质化市场背景下（不是说改编自神话故事就不好，只是同质化太严重就很boring），不得不赞叹一下不思凡的勇气和魄力，依然敢于进军D原创动画，但是很遗憾，并不成功。叠个甲：作为从小学开始看动漫，之后涉及各种或小众或大制作的日漫和国漫，看过不思凡的《黑鸟》到《大护法》以及从《大护法》衍生出来的《妙先生》，也算是半个不思凡的粉丝了。所以以下评论完全发自内心，不带半点尬黑。

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文/唯唯全文约字阅读需要分钟康德的两个比喻：炉膛里火之不可捉摸的火焰，溪流的流水画出的短暂图样。一．气泡-影像星鼻鼹鼠。它们能够‘闻’水下的气味，原理是鼻子快速旋转搅水，创造更多气泡，然后闻气泡，通过隔绝出空气——气味在空气中成单子不断地撞击着，一个粗俗的比喻——从而捕获一个动作的最精炼的语法：闻（水下的）气味。前几日，我与emfrosztovis针对《信条》开头的那一场歌剧院的戏份进行了一次有趣的讨论。我激赏《信条》，认为它是诺兰最好的电影，一部美丽的工业电影；

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深巷的尽头，一家神秘的“照明商店”温暖着每一个夜晚。店主刘奕君用心擦拭着每一个灯泡，似乎在呵护着每一个客人的心灵。护士许念和男友郑满新搬进了附近公寓，他们开始注意到这家商店，也逐渐发现了这里的人们隐藏在表面下的秘密。暴风雨之夜，许念走进商店，故事更加引人入胜……电影改编自姜草的同名漫画该剧。